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Spent countless hundreds of hours inside the original Carvin showroom on Industrial Ave. The Carvin name originally the combo of the names of sons Carson & Kevin - hence, Carvin.
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where Carvin was located, on 1155 Industrial Avenue, before shutting down in the 90's and where now Keisel is now located, although their guitars are the ugliest made, just awful. I have owned Carvin amps & guitars since the mid-1970's.born and raised in Escondido, CA. Heck try one out you have 10 days to return it if you don't like it. For the price Carvin amps are a great deal.
#CARVIN GUITARS BBS PLUS#
What one guy likes the other guy may not like, plus it depends on your guitar, wood type, pick ups, and your playing ability. I did change the speakers in my Valve King to Eminence Texas Heats and WOW, it kicks butt now.Īmps are a preference of ones own ear. I usually re-tube them, and change the bias on them to make them a little bit hotter, which in turn gives me some good sound. I have never tried the Legecy but I have heard it is their best sounding amp. I called them, excellent customer service BTW, and they took it back. When I got my X100B back in April of this year the tolex was ripped, the seams were not even close to matching up, the clean channel was bad, and the distortion side of the amp really stinks. I've had a Nomad, Bel Air, MTS, and SX200, and lately a X100B and didn't like any of them.
#CARVIN GUITARS BBS FULL#
I have custom made guitars which I think are fantastic in sound and playbility and my band uses a full Carvin PA sytem that includes amps/cabs/soundboard/and all rack mount effects, and in-ear monitor systems. I have been a Carvin user for almost 15 years. Guess I'll have to drag my ass over to the Devil's Lair and at least see if they've got an EVH and an Egnater I can demo. What I don't know about any of 'em at this point is what they sound like. The EVH does not, but there's always the Weber or Hotplate attenuator solution. The Carvin and the Egnater both have switchable output wattage. Not that I'd mind having three of them, but I can just hear my wife. So I think the AC30 is probably a better bet as a studio amp, unless in live situations you (1) just played it at one setting or (2) had three of 'em lined up and switched between them. I really love the sound and versatility of my AC30, but you can't remotely switch channels on that amp (and even if you did with an A/B box, you'd still have a difference in volume levels to contend with). I've been kicking around the idea of getting a multichannel tube amp with footswitchable channels because I'd like to start doing some gigging again soon, and I'd like some versatility in sound on stage.